E-mail: info@anniebradleyart.com
Website: www.anniebradleyart.com
Phone #: 806.470.0807
Austin, TX
EDUCATION
2003-2006 Texas Tech University Lubbock, TX
Major- Theatre, Minor- Dance and Art (sculpture)
2006-2008 St. Edwards University Austin, TX
BA Theatre Arts
EXHIBITIONS
2010 FlightPath Coffee House
March 2010
2009 East Austin Studio Tour
Eponomous Gardens
5x7 On the Road
Inman Gallery
Houston, TX -August 28 & 29
5x7 On the Road
Dunn and Brown Contemporary
Dallas, TX August 14 & 15
New American Talent 24
Arthouse at the Jones Center Austin, TX
Curated by Hamza Walker
5x7 Fundraiser
Arthouse at the Jones Center (Invited) Austin, TX
History of Love
French Legation Museum Austin, TX
2008
Austin Art Garage Proposition 2
Austin, TX 2007
2007 Magnolia Café
Austin, TX
Austin Art Garage
Austin, TX
2002 Pratt Art institute
Brooklyn, NY
AWARDS
2003 VASE (4)
Houston, TX
2002 Scholastic Gold Key Award
Houston, TX
VASE (4)
Houston, TX
1997 Youth Art Texas Winner
Austin, TX
PUBLICATIONS
see theatre...
ARTHOUSE: NEW AMERICAN TALENT 24 features
several Austin-based artists among the national
diversity and will give you a glimpse into what’s
happening in the more noncommercial world of
images and objects, as selected by the University of
Chicago’s Hamza Walker. Through Aug. 23.
700 Congress, 453-5312. www.arthousetexas.org.
Austin Chronicle Arts Review BY WAYNE ALAN BRENNER
August 7, 2009
Photo by Leah Devun 'New American Talent: The Twenty-Fourth Exhibition' Arthouse at the Jones Center
through Aug. 23
New American talent? Who couldn't get behind an exhibition that's new and features Americans with talent? In fact, forget "get behind" – that's an outmoded form of expression, isn't it?
– like starting a review with a series of questions? Who couldn't immerse themselves, even profitably, in a pool of the most current visual art to be culled from that wider, incessant ocean of American creation?
You won't find that person at Arthouse, eyeing the materials manipulated, the hues rendered, the potentials given solid form (following little function but whimsy or concern's expression) and resisting vacuum in the venue's rooms. You'll find other people: representations of people, anthropomorphic objects or images spiking a familiar shape into the collection's diverse array of made things.
You'll find Space Suit Form With a Burden of Platonic Solid Talismans by Houston's Garland Fielder; this is an arresting mannequin-based sculpture that seems a distillation of the entire figurative-amid-the-abstract exhibition. (Hamza Walker, director of education for the University of Chicago's Renaissance Society, who juried this show, mentioned this piece in his opening-reception remarks, carefully inserting a shim of artistic intent between this work and what's encountered in the more commercial fashion industry. We got the feeling that the example was also an example of synecdoche.)
You'll find Elemental Topography, precise iron castings of a single female body, arranged neatly in more than a dozen distinct pieces, upon a large wooden table. The whole woman responsible for this disparate woman is Erin Cunningham of Austin.
You'll find Austinite Leah DeVun's series of photo-portraits of girls dressed as Disney character Hannah Montana, the costumed personas of these young women usurping their own identities the way photography usurped painting as a record of what's real.
You'll find Kristin Wanek of Los Angeles continuing the celebrity focus with a series of carefully crafted media-icon dioramas documenting Lady Diana Spencer's campaign toward the U.S. presidency with Jesse Jackson as her running mate.
You'll find Amy Grappell's video installation Quadrangle presenting a look into part of what the sexual revolution of the Sixties wrought among her parents and their closest friends. (More about this piece can be gleaned from "Amy Grappell's 'Quadrangle,'" p.31.)
You'll find these and other examples of people depicted and nonfigurative pieces that are yet redolent of the artist's vibrant humanness and pure abstractions that your own eyes must, if necessary, provide the humanity for, and your discoveries will, we insist, do you a world of good. Because new artistic creation, whether burdened or enhanced by Platonic-solid talismans or otherwise, is by no means an outmoded form of expression. And we stand squarely behind that statement.
Secrets of suburbia exposed in artist's love 'Quadrangle'
Author: Jeanne Claire van Ryzin American-Statesman arts critic
Date: July 20, 2009 Publication: Austin American-Statesman (TX)
In an art exhibit brimming with the exuberant brio typical of emerging artists, visitors to "NAT 24: New American Talent, the Twenty-fourth Exhibition" at Arthouse drift back through galleries of the Congress Avenue contemporary arts center and find their way to a quiet bench...